The excuse for going was that I was supporting an actor in the play, but I now realise that that is a really flimsy reason for watching any play.
Thanks to the posters for the play, titled The Flight Club, I went in with low expectations and hoped that I would come out thinking "Well that wasn't too bad." Sadly my expectations were dashed and I came out feeling like I needed to go into Drama rehab and be put on a drip of pure Shakespeare to recover.
All good therapists recommend that one should unburden oneself of all negative experiences, so here we go....
The Flight Club began, predictably, twenty minutes late. Soon after I took my seat some bloke came in from behind one of the flimsy studio curtains and sat in one of two wicker chairs, doing his best to look uncomfortable. That ought to have been easy given the chair but he struggled. He sat there for up to five minutes while various tunes played, an air steward came in and told people to turn off their phones and then another man came in a sat on the other wicker chair. The illusion of an aeroplane was completed by two angle poise lamps hanging off a rickety black cloth structure behind the performers and a bloke wearing a captain's hat coming on and telling the expectant audience that he was a pilot. Since when have aeroplanes had wicker chairs?
Eventually the two actors began talking to each other, although to be honest it would have been more entertaining and much less cringing if they had sat there in complete silence and then left on landing as complete strangers. Helped by some unnecessary and inaccurate narration from the pilot ("This was a flight that would, change these men's' lives for ever") the two of them began talking. John introduced himself to Alan. Apparently John was, according to the helpful pilot much older than Alan (how did the pilot know this) but his appearance, hairdo, costume and mannerisms did everything it could to counteract this statement and made John appear all of six months older than the now fidgeting Alan. Alan, according to John had not touched his non existent plate of food in front of him, (probably because it wasn't there?) and this worried the allegedly older man. By this point I was seriously worried about the play and where it was going.
So the aeroplane, complete with the wicker chairs and angle poise lamps, took off, but sadly the play didn't. Alan helpfully told John that he was on a plane from KL to Macau, running away because he had played the wrong song. He neglected to add whether he was a pianist, flutist, harp player or DJ but did tell us that his choice of music had upset his father and sister particularly. John was very understanding about this and suggested that he could help put things right .... by using his powers. Powers? Apparently John had the gift of being able to travel to other places and times, almost Rentaghost like, and examine the events. All Alan had to do was hold John's hand, close his eyes and relax, a course of action that should alarm all solo travelers, unless they are blessed with a overly developed sense of adventure several extra sets of kidneys. Alan was not particularly troubled by this and so he gripped John for all his worth and we were taken to ....
The loft in Alan's family house. In an alarming turn of events Alan very quickly discovered for some reason that was not made clear he was now wearing an oversized cat tail, forced to hide in a corner and miaow while the pilot entered carrying wedding presents and three empty boxes of Whiskas dry cat food. While John looked on and Alan continued miaowing the airline pilot spoke at great length to "Auntie" on the phone trying to convince her that he had not murdered his wife and that she was fine and was probably shopping. Thankfully this scene ended and somehow or other they all ended up back in the aeroplane, but not before John had taken quite a few slugs of brandy from a bottle that seemed to be lying around the place. Why couldn't he have passed it round to the audience as well? By that point I was desperate for anything to dull the pain.
The play went on. John broke the news that he had terminal cancer, pancreatic cancer stage two for anyone who even remotely cares, and Alan looked slightly less fidgety. Hadn't they heard that I had banned The Cancer Play in 2003? Sick of the protagonist in GCSE devised plays shuffling into the space and declaring to anyone who cared "Mum (Dad, wisely wasn't usually there) I got cancer." Mum would then cry and Cold Play songs would burst in. No. No. No. The Cancer Play is now officially dead.
But they struggled on. We were forced to hear Alan explaining to John at length all about his extended and adopted family, some of whom helpfully came and sat on stools at the front of the stage and talked to each other all thanks to that holding hands, eyes closed and relaxing thing again. Somewhere in this section John's brother, named Jerry, put the pilot's hat on again and told us all that his plane was turning round and going back to KL as there was bad weather on the way to Macau. Both Alan and John missed this announcement, (was that the thing that was going to change their lives) and carried on chatting to each other and irritating the audience.
Three is the magic number and before this dreadful play could be stopped we had to suffer one more hand gripping thing and taken to a final unspeakably cringeworthy scene. Despite missing the fact that their flight was now a return to nowhere Alan managed to ask John whether he wanted to put anything right before he died or arrived in Macau. I would have been content for John, Alan, the pilot, the family members and probably even the cat to drop dead at that moment, but, no. Alan had now, somehow, got the gripping powers while the audience had got the gripping pains instead. Alan grabbed John's hand and took him back to ....
His wedding day. John's wedding day? Where the hell did that one come from? Alan didn't know anything about it, did he? Well apparently he did. He managed to place John in a chapel where he also managed to summon John's apparently jilted girlfriend and, for some bizarre reason a guitar player, as well as his own sister and the pilot. The story emerged that John could not bring himself to tell the love of his life that he had terminal cancer and so had run away. Given that he'd subjected the audience to this pile of nonsense he was probably being kind to his jilted one and should really have refused flatly Alan's efforts. But no. I was subjected to John declaring his love to a mystery woman in stumbling, near tearful tones watched by Alan, various random strangers and all set to music. All except one fibre in my body wanted to stand up a shout "STOP! THIS IS SHIT!" But that one fibre held and finally the strangers left, the guitar player departed and Alan and John were back in their wicker chairs telling each other what they planned to do in Macau. But they weren't arriving in bloody Macau! Hadn't they listened to the pilot? Hadn't they even read the script?
The play ended with Alan giving John his phone number and John saying that he might phone him sometime, presumably sometime after they had both worked out they were not in Macau.
The play lasted 33 minutes and it was dreadful from start to finish. But the audience were given the opportunity to prolong the agony by having a talk back session with the cast. That opportunity was announced by a smiley lady who may have been connected with this drivel but as she didn't tell us who she was the announcement left this audience member even more confused. While I was gasping a mouthful of fresh air afterwards to try and clear my head she approached me, and asked if I was a Drama teacher. For my own sanity I mumbled a yes and then quickly invented an excuse to leave before she could ask me what I thought of the play.
I had beer and chocolate at home to try to recover.